The Grand Illusion
Made within the build-up to a fair more warfare, jean renoir’s wwi pow drama is a sincere call for unity between international locations. The decision might move unheeded of path, however 80 years filled with clashes and violent disagreements later, renoir’s message prevails: class, nationality and creed are meaningless earlier than our shared humanity. Only a decade on from the first talkie, renoir made what these days appears a strikingly modern film:
Naturalistic performances and communicate, easy digital camera movements and, most significantly, complicated individual dynamics. Each man or woman within the movie, through determined circumstance, will become allied with any other from a stroll of lifestyles they in any other case might never traverse. Maximum thrilling is the connection between the aristocratic de boeldieu (pierre fresnay) and von rauffenstein (erich von stroheim): they're french and german, prisoner and warden, however, as if two uncommon creatures compelled to occupy the identical cage, a friendship paperwork through mutual popularity that they will be the various remaining in their type. Renoir’s depiction of a whole society thru allegory is genius, his empathy nearly superhuman. The grand phantasm kills with kindness—it fulfills its responsibility as an anti-battle flick now not by displaying battlefield horrors, however virtually by means of asking: how can we be enemies while we've got so much in common?