Nearly 1/2 a century after its launch, “the exorcist” stays one of the scariest movies ever made for one cause — there is a primal discomfort from the assessment among an harmless young female and the demon owning her soul. Linda blair’s seminal overall performance as 12-yr-old regan, whose head twists round and spews vomit as she unleashes annoying laughter and unfiltered vulgarities, embodies the idea that not anything is sacred. Even the prospects of a bbible-toting max von sydow doesn’t guarantee that the whole lot will turn out rosy for negative regan and her circle of relatives.
Friedkin, who changed into hardly ever one of a kind to the horror genre, procedures william peter blatty’s novel with the identical sophistication he delivered to innumerable different genres at the height of his profession. One of the maximum worthwhile movies in records, “the exorcist” gave delivery to has birthed several sequels and a television collection, but none of them have matched the readability with which the unique unravels the mythology of upper-middle-elegance the united states with in such profound, traumatic moments so credible that even friedkin got here out of the experience as a true believer. A long time later, his exorcism documentary “the devil and father amorth,” approximately the muse for the individual within the film, proved just how a lot this seminal achievement continues to hang-out its maker — and generations of moviegoers as well.